Les Mis–les merveilleux! (spoiler alert)

Last week, I posted on Facebook:  “Les Mis–les merveilleux! Saw the matinee and felt like clapping.”  I didn’t actually clap then, but there was plenty of applause yesterday at the Golden Globes as Les Miserables won the award for best comedy or musical film, and Hugh Jackman and Anne Hathaway won their respective awards for best actor and best supporting actress in a comedy or musical.

Others have already written on the film’s great themes of  law and grace, loss and new beginnings, forgiveness and redemption. Notable examples are Mark D. Roberts, Ryan Robinson, and Jason B. Hood, all very well worth reading. The film is epic–both in the dictionary sense of the word as a large-scale production and in the common meaning of excellent and extremely well done!

But it’s the details that really got to me.

Valjean

Hugh Jackman as Valjean

Near the start of the movie as Valjean is finally released from his nineteen years of prison, he says to himself:
Never forget the years, the waste.
Nor forgive them
For what they’ve done.
They are the guilty – everyone.”

After all, his only crime had been stealing a loaf of bread to feed his sister and her son who were starving, but his initial sentence of five years had multiplied with his repeated attempts to escape. Nineteen years of his life had been wasted, and he vows never to forgive.  This detail is a bit of foreshadowing for the rest of the movie which shows that indeed Valjean never forgets, but he does forgive, demonstrated repeatedly as he refuses to exact revenge on his chief accuser, Javert.

Yet I wonder, was Valjean ever really able to forgive himself? Even at the end of the movie and the end of his life, he was not able to tell his adopted daughter Cosette about his past. I think she would have understood, would have loved and respected him no less, but he could not bear it. So although he had clearly become a new man, in this way he was still not entirely free of his chains.

Javert

Russell Crowe as Javert

As for Javert–and here’s the spoiler if you don’t know the story–he is so unable to understand Valjean’s repeated acts of grace toward him that he finally takes his own life.  At the start of the movie, Javert is very much the villain, but I couldn’t help but feel sorry for him too. In his own way, he is also one of les miserables–not because he was imprisoned or impoverished, but because his whole world was coming undone. The show-no-mercy law and order that meant  stability and purpose in his life was turned upside down by the law of grace demonstrated by Valjean. At the same time, France itself was being turned upside down by revolutionary forces. As Valjean could not bear to tell Cosette of his past, Javert could not bear the changes of his present and future.

Perhaps my favourite detail of the movie are the candlesticks that the bishop gives to Valjean. The bishop is a compassionate man who welcomes Valjean when others reject and torment him as an ex-prisoner on parole for life. The bishop says, “Though our lives are very humble, what we have, we have to share,” and he proves to be a man of his word as he gives Valjean the silver that he has taken, and even adds the two silver candlesticks. The bishop urges him, “You must use this silver to become a better man,” and Valjean apparently uses the silver to establish a business and begin a new life.  But he holds on to the silver candlesticks through the good times and the bad, even as he is a man on the run, even to the end of his life when he brings the candle sticks to the convent.

https://i1.wp.com/wp.patheos.com.s3.amazonaws.com/blogs/markdroberts/files/2013/01/les-mis-val-bish-table-5.jpg

Hugh Jackman as Valjean, Colm Wilkinson as the bishop, with the candlesticks

The candlesticks too have their part in making him a better man–not sold and used directly to establish his business or to support himself and Cosette, but as a reminder of the grace that he had received and the better man that he was becoming. In his own words, Valjean asks,
What spirit comes to move my life?
Is there another way to go?

The candlesticks are a symbol of that new way and the new Spirit moving in his life.

Your turn: Have you seen the movie or read the book? What are your thoughts? (I didn’t take notes during the movie, but used the libretto for the quotes above)



Categories: Spiritual Practice

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7 replies

  1. Rambling thoughts. Should probably make it my own blog post…

    I finally saw it yesterday, though I’ve seen the musical several times and film versions since I was entranced with one when I was about 10 (I have no idea what this film version was. It was in the early 80s in a theater in Taiwan–in English with Chinese subtitles, so not a French version–and may have been contemporary or quite old.)

    I loved–loved, loved, loved–the candlesticks as a motif. Brilliant move.

    I was noticing the law/grace motifs. I do find I struggle with literary suicides, and I’m not sure I accepted that Javert was so flattened by Val Jean’s mercy that his only choice was to kill himself in this one. But I understand what the moment is trying to do.

    My spouse, who is nominal at best in faith matters, mentioned at the end that the line that affected him most, and that he remembered most, and that may have made his eyes wet, was “to love another person is to see the face of God.” Yes, please.

    –Wendy

  2. I saw the movie and agree that it was amazing. I did a review on my blog reflecting on the different ways Eponine (the Inn Keeper’s daughter) and Javier (the policeman) face life and approach death. It’s called “Give Your Life or Choose to Die” and can be found here – http://writingforfoodinindy.wordpress.com/2013/01/01/give-your-life-or-choose-to-die-eponine-and-javier-in-les-miserables/

    Thanks for the review and the opportunity to share.

  3. I loved the symbolism of the candlesticks too, but for some reason it totally escaped me that he hung on to them for the rest of his life, and returned them to the convent! A good movie like this needs to be seen several times in order to get all the details! Thanks for this review.

  4. Thank you all for your comments, and Wendy, I too wondered about Javert’s suicide–I can’t help but think it must have been more than about his inability to accept Valjean’s grace. His personal world was being turned upside down and this mirrors the social and cultural upheaval around him.

  5. I loved it… the part that had the largest impact on me was Anne Hathaway’s solo. I admit I cried through the entire song. From my context, that is a song sung by so many around me every day… ‘I dreamed that God would be forgiving’. If to love is to see the face of God, we have denied God to so many here in the DTES [Downtown Eastside of Vancouver]. We offer cognitive salvation, but Derby true love. The person singing ‘I dreamed…’ does not need cognitive salvation… they need love. So powerful.

  6. Bookgirl, I’m glad you wrote your own post too 🙂 Jordan, I found parts of the movie hard to watch–such brutality, that people in DTES and elsewhere struggle with every day too. Yet the movie also had moments of grace and hope. I’m thankful that you’re wanting to live that out where you are, and if we could all do that it would be a powerful witness of love and God’s salvation,

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